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AUG 22 ︎︎︎
Big finishes and new starts
︎︎︎ making them shine
︎︎︎ new & blue
︎︎︎ ‘Meat Feast’ [Pitcher Plant] on the drying rack
*I’m off now for a few months welcoming our baby girl to this mad world*
Big finishes and new starts
︎︎︎ making them shine
︎︎︎ new & blue
︎︎︎ ‘Meat Feast’ [Pitcher Plant] on the drying rack
*I’m off now for a few months welcoming our baby girl to this mad world*
JUL 22 ︎︎︎
Painting things that are
︎︎︎ deadly
︎︎︎ playing dead
︎︎︎ actually dead
Painting things that are
︎︎︎ deadly
︎︎︎ playing dead
︎︎︎ actually dead
JUN 22 ︎︎︎
Painting, play-dough and pastries.
Painting, play-dough and pastries.
APRIL 22 ︎︎︎
As we move joyously between spring and summer, visits to the botanical gardens have got me exploring an intruiging intersection between life and death in nature. Happy eh?
I’m working across digital illustration and oil painting, playing with a wonkier line style and looking a zooming in on big giant leaves and petals, with the occasional dead bug thrown in for fun.
WIP names: Spring Death, Death in Bloom, Fresh Kill.
My palette is naturally fresher and I guess more feminine than the traditional primary paintbox I lean towards. Lots of mint greens and vivid pinky/peaches and of course bright red.
In the print world I have launched a SS22 collection with Glassette all around the art of dining outdoors. It has a more painterly expression than my typical minimalist abtract forms. Something that is very new to my practice and actually a little uncomfortable. It’s called Alfresco and is available now from Glassette and the Studio Store.
As we move joyously between spring and summer, visits to the botanical gardens have got me exploring an intruiging intersection between life and death in nature. Happy eh?
I’m working across digital illustration and oil painting, playing with a wonkier line style and looking a zooming in on big giant leaves and petals, with the occasional dead bug thrown in for fun.
WIP names: Spring Death, Death in Bloom, Fresh Kill.
My palette is naturally fresher and I guess more feminine than the traditional primary paintbox I lean towards. Lots of mint greens and vivid pinky/peaches and of course bright red.
In the print world I have launched a SS22 collection with Glassette all around the art of dining outdoors. It has a more painterly expression than my typical minimalist abtract forms. Something that is very new to my practice and actually a little uncomfortable. It’s called Alfresco and is available now from Glassette and the Studio Store.
Venus Fly Trap // Lemon Jelly from ALFRESCO